Wurtzler / 2008-12-01 Technological Change and the Rise of Corporate Mass Media Author: Steve J. Wurtzler Publisher: Columbia University Press ISBN: 778 Category: Computers Page: 393 View: 7370 The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats. The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms. Charles O'Brien / 2019-02-08 Transatlantic Trends Author: Charles O'Brien Publisher: Indiana University Press ISBN: Category: Performing Arts Page: 240 View: 1236 How did the introduction of recorded music affect the production, viewing experience, and global export of movies?

Electric Sound: The Past and Promise of Electronic Music. Electric Sound: The Past and Promise of Electronic Music [Joel Chadabe] on Amazon.com. *FREE* shipping on qualifying offers. Indra film video songs free download. With a truly global perspective, this vivid and readable narrative provides a comprehensive overview of the history of electronic music. Context ‹audio art› stands for sound art for whose production technical media are ei- ther essential. Joel Chadabe, Electric Sound. Vocalign project rutracker.

In Movies, Songs, and Electric Sound, Charles O’Brien examines American and European musical films created circa 1930, when the world’s sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films’ musical sequences. Rather than advancing a film’s plot, songs in these films were staged, filmed, and cut to facilitate the singer’s engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O’Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present. Joel Chadabe / 1997 The Past and Promise of Electronic Music Author: Joel Chadabe Publisher: Pearson College Division ISBN: N.A Category: Music Page: 370 View: 5415 With a truly global perspective, this vivid and readable narrative provides a comprehensive overview of the history of electronic music.

The author draws upon his combined experience as composer, performer, researcher, entrepreneur, and teacher to provide insight into every aspect of electronic music, including the music itself, the instruments, and the business. Based on more than 150 interviews with leaders in the field, this book allows readers to understand how and why the musicians, engineers and businessmen did what they did to develop the modern synthesizer to its current state. Dr Torsten Wissmann / 2014-05-28 Author: Dr Torsten Wissmann Publisher: Ashgate Publishing, Ltd. ISBN: Category: Social Science Page: 272 View: 1175 Taking into account both the urban soundscape and the impacts of sound on the urban dweller, this book examines sound not as a by-product of urban life, but as a fundamental part of the urban experience that is crucial to understanding the city’s sense of place. Illustrated by case studies from Europe and North America, these range from on-site measurements to the construction of audio tours for local tourism, from media analysis of popular culture audio drama to sound-identity and city branding, and from the classification of noise in city planning to a consideration of the complex relationship between sacred sound and the creation of a sense of place.